Ram-Leela is great for newcomers to Hindi films. I appreciate Bhansali’s decision to re-imagine Romeo and Juliet as an all-out Bollywood spectacle, with sequences ranging from frequent dance breaks to a slow-mo fight scene in which body-slammed victims send up volcanic plumes of dust. The music and dancing (especially Padukone’s) is very good, and only the movie’s lone item number - starring Priyanka Chopra - feels out-of-place. The garden at the Sanera palace - the setting for the famous balcony scene - is stunning.īhansali also composed the music for the film, and as a result, Ram-Leela features a lot of well-integrated dance numbers. Major plot points occur against the backdrops of colorful festivals.
Like all of Bhansali’s films, Ram-Leela is great looking. The Sanera clan is led by Leela’s mother, Dhankor (Supriya Patak Kapur), who is ruthless and terrifying. Both Leela’s and Ram’s sisters-in-law (played by Richa Chadda and Barkha Bisht, respectively) influence the destiny of the central romance and the town as a whole. In another refreshing update, the female characters are the power players in Ram-Leela. She’s sexually aggressive, initiating the couple’s first kiss and telling Ram, “I want you.” Leela evolves from a bratty princess into a force within her family. Padukone is sensational as Leela, and the character is especially well-written. By the end of the film, he’s mostly glum and passive. Singh’s Ram is initially more fun than a traditional Romeo, but he loses his spirit as the obstacles to his romance with Leela mount. Adults in the audience will appreciate the chemistry between the lead couple. Keep that in mind if you’re considering bringing your kids to the theater. Had Ram-Leela been rated by the MPAA, it would’ve been rated PG-13 or R. Singh and Padukone are an extremely sexy pair. It makes for an interesting examination of the public aspect of romantic relationships. Both Ram and Leela eventually assume leadership roles in their clans, proving the naiveté of their assumption that they could run off and leave their families behind. In Bhansali’s version of Romeo and Juliet, the two leads are much older than the original characters, meaning they have more prominent positions in their family. Even their elopement is foiled by friends intent on perpetuating the feud.
They are reckless in their courtship, until deaths in both families force them to realize that they will find no peace in town. It’s love at first sight when Ram and Leela meet at a party. Ram serves as village peacemaker, defusing situations by distributing pornographic DVDs. The youngest children in their respective warring clans, they want nothing to do with the centuries-long family feud.
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In this rendition, Romeo and Juliet are rechristened Ram Rajadi (Ranveer Singh) and Leela Sanera (Deepika Padukone). The story may be familiar, but Bhansali’s film offers plenty of surprises.
#RAM LEELA HINDI MOVIE UPDATE#
Ram Leela might just be their opportunity to vent.Writer-director Sanjay Leela Bhansali’s Goliyon Ki Raasleela Ram-Leela (henceforth referred to by the shorter, original title used by most American theaters: Ram-Leela) is a fresh update on Shakespeare’s Romeo and Juliet. For a young generation that doesn’t have the elbow room, Bhansali’s reading of the movie-going public at large is not off the mark here: the constant stream of bullets, the unapologetic sexual innuendos and entendres, and the uninhibited passion the actors bring to their not-so subtle love story is precisely what viewers in a country gasping for freedom, whether it is physical or emotional, want. A good indication is that early first kiss between the lovers, even before they’ve uttered a word to each other.
#RAM LEELA HINDI MOVIE SKIN#
Ram Leela is just how sexual, and how intensely physical the film is without any actual sex or skin show. The first aspect that really stands out about But its bullets and the idea of sex in a world of turbocharged characters that He creates a fictional world in Gujarat - a town where arms are hawked in the open, co-existing with bars and sleazy video parlours with signboards in Gujarati, a world where Twitter and ceremonial cellphone selfies co-exist calmly in the confines of heritage architecture populated by ubiquitous peacocks and from which two rival families rule the land. Here he takes inspiration from the source that launched a thousand based-ons, Romeo and Juliet, and updates almost every aspect of it while sticking with the core story.
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